The Evil Divide starts off on a nuclear-stamped note of conflagration, that being the frenetic vehemence of “The Moth,” a song that sees the all of its structural elements bubbling over with an energy that borders on fanatical anger. The riffs are a particularly nasty scrape off of vintage Slayer’s skin, Mark Osegueda’s vocals and lyrics are a steaming cauldron of venom and even the backing gang vocals sound like the sort that are pointing you out as you cower in a trash-strewn alley.
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