1626 - Allman Brothers Band Ramblin' Man 1973

Until the time of their 1973 smash ‘Ramblin’ Man’, the Allman Brothers Band had largely been centered around siblings Duane and Gregg Allman. The years since the breakthrough success of the band’s 1971 live album ‘At Filmore East,’ however, were anything but kind to the band. With the group losing both guitarist Duane Allman and bassist Berry Oakely in separate motorcycle accidents barely a year apart, many probably wondered if the Allmans would ever recover. The answer, in the form of their 1973 album ‘Brothers and Sisters,’ was a clear “yes,” with the song ‘Ramblin’ Man’ becoming one of the band’s most beloved tunes.

1401 - Allman Brothers Band Whipping Post 1969

"Whipping Post" is a song by The Allman Brothers Band. Written by Gregg Allman, the five-minute studio version first appeared on their 1969 debut album "The Allman Brothers Band". But the song's full power only manifested itself in concert, when it was the basis for much longer and more intense performances. Gregg Allman was 21 years old when the song was first recorded. Its writing dates back to late March 1969, when The Allman Brothers Band was first formed. Gregg had failed to make a name for himself as a musician during a late-1960s stint in Los Angeles, and was on the verge of quitting music altogether when his brother Duane Allman called and said his new band needed a vocalist. Gregg showed the band 22 songs he had written, but only "Dreams" and "It's Not My Cross to Bear" were deemed usable. Gregg, the group's only songwriter at the time, was commissioned to create additional songs that would fit into the context of the new band, and in the next five days he wrote several, including "Whipping Post". The blues rock song's lyrics center on a metaphorical whipping post, an evil woman and futile existential sorrow. Writer Jean-Charles Costa described the studio version's musical structure as a "solid framework of a song that lends itself to thousands of possibilities in terms of solo expansion. In modified 3/4 time, building to a series of shrieking lead guitar statements, and reaching full strength in the chorus supported by super dual-lead guitar.