1245 - Cannibal Corpse The Bleeding 1994

After “Tomb of the Mutilated”, Cannibal Corpse released “The Bleeding”. This was also a time for change in the cannibal camp, as guitarist Rob Barrett (Solstice, Malevolent Creation) took over the spot left open by Bob Rusay. It is the last album for Chris Barnes, who would soon be booted from the band. Throughout the entire album, but more particularly on the auspiciously memorable title song "The Bleeding", Barnes manages to push his otherwise deep and dreary bark into a higher shriek register. The riffs are fairly experimental for a death metal band; Jack Owen and Rob Barret, unknowingly shaped the future of death metal with this release.

623 - Cannibal Corpse Gutted 1991

A catchy classic riff starts off the Cannibal Corpse fan favorite of "Gutted". Chris Barnes growls out a story of children butchered and gutted for a murders own fulfillment. Paul Mazurkiewicz once again showcases his talent on the drums through out this song. Probably the highest showcase of this song is Jack Owen and Paul´s interplay switching off from guitar to drum riffage.

351 - Cannibal Corpse Hammer Smashed Face 1992

"Tomb Of The Mutilated" is one of Cannibal Corpse's best works. The music is a timeless virtuosity with a profoundly heavy sound emanating from an impressive production. Each instrument is audible in a mix filled with shifty guitar riffs, a creepy bass sound, and hair-trigger drumming. It features their most recognized song "Hammer Smashed Face" along with delightfully sick and twisted lyrics by gore-master lyricist and vocalist Chris Barnes.

Eyes bulging from their sockets
With every swing of my mallet
I smash your fucking head in, until brains seep in
through the cracks, blood does leak
distorted beauty, catastrophe
Steaming slop, splattered all over me

86 - Cannibal Corpse I will kill you 1998

Gallery of Suicide´s Cannibal Corpse´s sixth studio effort, captured brutality in its purest form and condensed it into heavy, technical riffs, heart-pounding double-bass drums, and guttural vocals to appease the masses of anxious death metal fans.
The album opens with "I Will Kill You". After a slow, 8 second feedback riff, the band enters with a low, fast riff, a basic but effective drum beat, and Fisher´s trademark deep, rough vocals.